Found 5818 Winslow Homer Products.
In this exciting new monograph, Professor Griffin provides fresh insight into the life and work of one of America's most-famous and best-loved artists. The author places Homer against a background of American nationalism fuelled by tensions between American self-identity and European sophistication. Finding in Homer's work the aspiration to create specifically American subjects and a specifically American character. It is testament to Homer's success that his influence is still echoed in every strand of America media almost 100 years after his death. Born in 1836, Homer began his career a magazine illustrator, soon becoming a regular contributor to Harper's Weekly, one of the America's most popular magazines. In the early 1860s, Homer was sent by his editor to the front lines of Civil War battles in Virginia. His woodcuts and lithographs of wartime encampments were widely distributed and served to make him highly popular with a large American audience. In the post war years Homer turned his attention to the American countryside and its people. It was during this period that he produced Snap the Whip, a piece thought by many Americans to be his best work. This and similar paintings were embraced by American critics as nationalist masterpieces, reaffirming precious American ideals and values that had been lost during the war. Griffin compares these contemporary feelings with later scholarship - which has suggested that Homer's works hold a deeper criticism of contemporary American life - to reassess Homer's aims and achievements during this period. In 1873, Homer began to paint using watercolours - the medium for which he is perhaps best known outside the USA - and in 1883 he moved to the New England fishing village of Prout's Neck, Maine. Here he began what was to become his best-known period of seascapes and nautical scenes. The overriding theme in much of his later work is the constant struggle between man and nature, a battle illustrated by the sailors in a stormy sea taking readings from a sextant in Eight Bells of 1886. In this new study however, Griffin expands this theme to discuss the often-overlooked idea that these works also react contemporary anxieties about loss of manhood control. Illustrating how the many all-male scenes - described by critics as 'strong meat for men'- affirm masculine authority and are charged with an underlying eroticism.
Brilliantly composed and masterfully tinted and lit, Winslow Homer's dynamic paintings imbued his subjects with an authenticity that was unprecedented in American art. Beginning with the Civil War and throughout his career, Homer (1836-1910) insightfully recorded the sweeping panorama of the nation’s life. While quintessentially American, his work also paralleled such developments in European art as Impressionism and embodied universal themes that transcended national concerns. The 12 paintings reproduced in this calendar touch on a wide range of the artist’s work.Printed on FSC-certified paper with soy-based inks.12 monthly grids and full-color artwork. Size: 12 x 13 in.; opens to 12 x 26 in.
With close analysis of Homer's art and of the personal challenges he faced throughout his life, Winslow Homer: The Nature of Observation is the most comprehensive study to date of the relationship between the artist's work and the psychological stages of his life. Elizabeth Johns uses theories advanced by Erik Erikson and Daniel Levinson to look at Homer's evolution as a painter and a person within the context of the continuing dynamics of his family. Her incisive and absorbing readings of the artist's work take into account the developmental stages of young, middle, and late adulthood, analyzing what Homer painted at the various turning points in his life.With this psychosocial approach, Johns examines the wood-engraved illustrations of Homer's early career in relationship to the values of his family; his images of the Civil War in the context of his young manhood; his paintings of the social scene and young women's place in it in connection with his own potential for marriage; his images of fisherwomen at Cullercoats and fishermen at Prout's Neck as they relate to his interior vision during middle age; and his intrigue with the sea in his late works as an identification with the larger processes of the universe. With more than seventy-five black-and-white illustrations and forty color plates of arresting images by this American master, Winslow Homer takes into account all available documentation, including the rich trove of the artist's correspondence at the Bowdoin College Museum of Art, and his entire body of work--illustrations for wood engravings, watercolors, and oils.
Winslow Homer's watercolors rank among the greatest pictorial legacies of this country.Winslow Homer's primary medium was oil painting, although to make ends meet, he did commercial illustration and chronicled the New York City social scene. Eventually, Homer withdrew from city life altogether to settle at Prout's Neck in New England. There he turned to watercolor, in part for financial reasons (they were easier to sell), but also because the newly popular medium enabled him to capture his impressions of scenery and landscapes encountered during his many travels with an immediacy and directness impossible in the more time-consuming oils. The Watercolors of Winslow Homer offers a lively and beautifully illustrated survey of the artist's work in a medium he pursued with originality and consummate skill. Of his more than 700 watercolors, over 140 are reproduced here, dating from the 1870s to the turn of the century. Divided into ten thematic chapters chronicling Homer's life and artistic progress, the book begins with the delightful paintings he made of children in Gloucester, Massachusetts, and ends with works bathed in the humid atmosphere of the tropics. Along the way readers will discover Homer's unparalleled range of expression, from the somber works he painted along the stormy English coast to the poetic evocations of the Adirondacks forest.
Presents a biography of Winslow Homer
American painter Winslow Homer (1836-1910) created some of the most breathtaking and influential watercolours in the history of the medium. This handsome volume provides a comprehensive look at Homer's technical and artistic practice as a watercolourist, and at the experiences that shaped his remarkable development. Focusing on 25 rarely seen watercolours from the Art Institute's collection, along with 75 other related watercolours, gouaches, drawings, and paintings - including many of the artist's characteristic subjects - this book proposes a new understanding of Homer's techniques as they evolved over his career.Accessibly written essays consider each of the featured works in detail, examining the relationship between monochrome drawing and watercolour and the artist's lifelong interest in new optical and colour theories. In particular, they show how his sojourn in England, where he encountered leading British marine watercolourists and the dynamic avant-garde art scene, precipitated an abrupt change in technique and subject matter upon his return home. Conservators address the fragility of these watercolours, which are prone to fading due to light exposure, and demonstrate, through pioneering research on Homer's pigments and computer-assisted imaging, how the works have changed over time. Several of Homer's greatest watercolours are digitally 'restored', providing an exhilarating glimpse of the original impact of Homer's groundbreaking colour experiments.
Winslow Homer (1836-1910) devoted much of his life to a study of the ocean and the people whose lives were intertwined with it. This book is the first to focus on the full range of Homer’s coastal subjects, with thirty-six reproductions of his most powerful works. Carl Little’s essay discusses Homer’s development as a painter; quotations from writers such as Homer scholar Philip C. Beam and poet Gerard Manley Hopkins add a further dimension to the thorough and enlightening text. Third printing.
Winslow Homer book includes 116 high quality reproductions of his greatest masterpieces with title and date.
Winslow HomerBORN: February 24, 1836 in Boston, Massachusetts.DIED: September 29, 1910 in Prouts Neck, Maine.MOVEMENT: RealismINTERESTING FACTS:Homer was first taught painting by his Mother who was a gifted amateur watercolorist.In 1859, he opened his first studio in the Tenth Street Studio Building in New York City. In 1863, he attended classes at the National Academy of Design.Homer’s oil painting, The Fox Hunt was his largest painting and the first to be bought by a major museum (Pennsylvania Academy of the Fine Arts).NOTABLE WORKS:Breezing up, The Fox Hunt, Right and Left, Home Sweet Home, Snap the Whip, After the Hurricane.WINSLOW HOMER Art Book contains 325+ Reproductions of Landscapes, Seascapes, Maritime and Genre Scenes with title and date.
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